UK post-hardcore sensations Static Dress have exciting news for their fans! Recognized as “post-hardcore superstars of tomorrow” by The Guardian and praised for “remaking post-hardcore for Gen Z” by Vice, the band is gearing up for their first-ever headline U.S. tour in Spring 2025. This highly anticipated tour will launch on April 17 in Brooklyn, NY, and wrap up on May 11 in Atlanta, GA.
Joining them on this journey is Soul Blind as the main support, with more supporting acts to be announced soon. The band expressed their excitement, stating, “This is finally the chance for the U.S. to express/experience Static Dress the way it’s meant to be.”
Check out their self-directed video for the track “crying” for a taste of their explosive energy.
Tour dates with Soul Blind in 2025 are as follows:
– 4/17: The Meadows — Brooklyn, NY
– 4/18: Sonia — Cambridge, MA
– 4/19: Ukie Club — Philadelphia, PA
– 4/21: Mahall’s — Lakewood, OH
– 4/22: Sanctuary Detroit — Hamtramck, MI
– 4/23: Subterranean — Chicago, IL
– 4/27: The Bottleneck — Lawrence, KS
– 4/29: Marquis — Denver, CO
– 4/30: Fellowship Sober Hall — Salt Lake City, UT
– 5/2: Brick & Mortar Music Hall — San Francisco, CA
– 5/3: Midnight Hour — Los Angeles, CA
– 5/4: The Rebel Lounge — Phoenix, AZ
– 5/6: The Ballroom — Austin, TX
– 5/7: Tulips — Fort Worth, TX
– 5/9: The Abbey — Orlando, FL
– 5/11: The Masquerade — Atlanta, GA
About Static Dress:
Static Dress, signed to Roadrunner Records, re-released their debut LP Rouge Carpet Disaster in a Redux version featuring reimagined tracks like “Lye solution” (featuring Loathe, BVDLVD, and Hail The Sun), “Di-sinTer” (Glitter Redux), and more. Initially released independently, this album marked a pivotal moment for the band, showcasing a sound that blends emo, screamo, metal, pop, and electronic influences—a significant statement in modern rock. Their 2021 EP, Prologue… (Comic Book Soundtrack), voted Best New Band Of The Year by Kerrang! readers, laid the groundwork for a unique, immersive universe that continues to captivate audiences.
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